Raksha Bandhan Overview {3.5/5} & Overview Ranking
RAKSHA BANDHAN is the story of a brother and his 4 sisters. Kedarnath (Akshay Kumar) runs Prem Lata Chaat Bhandar, a chaat store in Chandni Chowk, Delhi. He has 4 youthful sisters – Gayatri (Sadia Khateeb), Saraswati (Sahejmeen Kaur), Laxmi (Smrithi Srikanth) and Durga (Deepika Khanna). Kedarnath’s mom died when all 5 siblings had been very younger. She had made him promise that he’ll get his sisters married and solely then will he tie the knot. Kedarnath is in love with Sapna (Bhumi Pednekar), his neighbour, since childhood. She is determined to marry him, however he asks her to attend until he can get his sisters married and organize for his or her dowry. Sapna’s father Hari Shankar (Neeraj Sood), nonetheless, will not be prepared to attend as he feels that to have an unwed daughter at residence, particularly when she’s of marriageable age, will not be acceptable. He offers Kedarnath six months’ discover to get all his 4 sisters married after which tie the knot with Sapna. If he fails to take action, he’ll repair Sapna’s marriage elsewhere. A determined Kedarnath approaches Shanoo ji (Seema Pahwa), an knowledgeable marriage planner. She asks him to pay Rs. 18 lakhs for the wedding of Gayatri, which can cowl her charges and in addition the sister’s dowry bills. Kedarnath mortgages his store to lift cash. Gayatri’s marriage is mounted. In the meantime, Hari Prasad runs out of endurance and begins on the lookout for an acceptable match for Sapna. However, Kedarnath is now apprehensive about how he’ll increase funds for the wedding of his different three sisters. What occurs subsequent varieties the remainder of the movie.
Himanshu Sharma and Kanika Dhillon’s story appears a bit outdated because it reminds one of many social movies of the yesteryears. Nonetheless, one can’t deny that dowry is a burning problem even right this moment. Consequently, it comes throughout as relatable and has the potential to the touch viewers’ hearts. Himanshu Sharma and Kanika Dhillon’s screenplay is partaking. Lots takes place within the movie and the writers be sure that the viewers get their dose of humour and feelings in each sequence. Sadly, there are a number of unfastened ends to be tied and the writers ought to have executed one thing about it. Himanshu Sharma and Kanika Dhillon’s dialogues improve the comedian quotient. Nonetheless, it will get fairly acidic in a vital scene within the second half.
Aanand L Rai’s route is supreme. He as soon as once more brings alive the flavour of the actual India on the display screen. The character of Kedarnath will win audiences’ hearts, particularly how far he goes for the sake of his sisters and extra so when he has eye-opening moments within the second half of the movie. What’s additionally praiseworthy is that he packs in a lot within the movie regardless of it being simply 110 minutes lengthy. On the flipside, a number of humorous scenes fall flat. The primary half is just too loud and to see Chandni Chowk residents all the time combating and beating one another will get an excessive amount of after some extent. A scene that makes for a clumsy watch is when Shanoo tells Kedarnath that she has mounted Gayatri’s marriage. Kedarnath, shockingly, doesn’t even ask concerning the match, his career, location and so forth. He begins celebrating as an alternative! This appears weirder within the second half when he claims that he received’t let his sisters marry any tom, dick and harry and that he’d prefer to learn about them first.
RAKSHA BANDHAN begins on a humorous word, exhibiting Kedarnath feeding gol gappas to pregnant prospects. The scenes at this level are humorous because the makers discuss male kids, dowry and so forth. Nonetheless, it additionally hits you ways these evils have been normalized in society. Kedarnath beating up eve teasers after which making a public announcement partly succeeds in entertaining. Nonetheless, the scene the place the sisters cease an organized marriage assembly in Sapna’s home is hilarious. The opposite exceptional scene within the first half is when Kedarnath stops an anti-dowry activist from spreading her message. The intermission level is emotional. The twist within the story is one of the best a part of the movie and is bound to make eyes moist. The movie ends on a progressive word.
Raksha Bandhan | Official Trailer | Akshay Kumar | Bhumi Pednekar | Aanand L Rai | 11 August 2022
Akshay Kumar is in very good kind. He’s performed the half with aplomb and shines within the emotional scenes. He’s in a significantly better zone right here than in his final movie, SAMRAT PRITHVIRAJ [2022]. Bhumi Pednekar additionally places her greatest foot ahead and tries to contribute to the humour and emotional quotient. Nonetheless, one wished her character had a little bit extra depth and particulars had been supplied about her career as an alternative of her being proven simply because the hero’s lover. Neeraj Sood is reliable. Seema Pahwa is nice and sadly, her character disappears after some extent. Sahil Mehta (Gaffar) is beautiful. Abhilash Thapliyal (Swapnil) is okay. Lastly, talking of the sisters, Sadia Khateeb leaves the utmost affect and appears fairly beautiful. Smrithi Srikanth is assured and the identical goes for Sahejmeen Kaur. Deepika Khanna is good.
Himesh Reshammiya’s music is in sync with the movie’s temper. ‘Kangan Ruby’ has the chartbuster really feel. ‘Performed Kar Do’ comes at an fascinating level. ‘Tere Saath Hoon Most important’ may be very touching and one of the best track of the album. ‘Bidaai’ is shifting. ‘Tu Bichhde Toh’ can also be well-tuned. Ishaan Chhabra’s background rating is a bit loud however general superb.
Ok U Mohanan’s cinematography is neat. Sumit Basu’s manufacturing design is reasonable and the units look straight out of life. Ankita Jha’s costumes are genuine and non-glamorous. Pink Chillies VFX impact is nice. Hemal Kothari’s modifying is slick.
On the entire, RAKSHA BANDHAN is a touching household saga, with a extremely emotional second half that uplifts the movie. On the field workplace, it has the potential of attracting household audiences to cinema halls, particularly within the Hindi belt and mass centres. The five-day prolonged vacation interval is an extra bonus. It deserves a tax exemption for its social message.